[Table
of Contents]
Preface vi
Novella Brooks de Vita and Cat Ashton
Introduction: A Water Scarcity
Awareness and Alleviation Anthology 8
Alexis Brooks de Vita
Source 13
Oghenechovwe
Donald Ekpeki
Doomed to the Storm 16
Mame
Bougouma Diene
Stone Bridge and Laughter 43
Alex
Jennings
GodIsLove:
Signified Sankofarrations, Personified Deities, and Mythatypical Patterns in The Joys of Motherhood and
Freshwater
47
Candice Thornton
Emerging 55
Joyce
Chng
A Pocketful of Precious 57
Annette
Meserve
Whose Water
Is It, Anyway? 63
Eileen
Gunn
Bayelsa,
Water for All 67
Solomon
Uhiara
Miriam After
the Flood 78
F.
Brett Cox
The Revenge of Yemoja 86
Wuraola
Kayode
Water Guzzlers and Time Wasters 101
Gillian
Polack
Quizani and the Eagle/Quizani y el
Águila (English/Spanish) 107
Alfonso Arteaga Rodríguez/Alfonso Arteaga
The Ship of Sisyphus 114
James
Morrow
Ocean Scourge 137
A.E. Fonsworth
Inmates of Ikenga
Point 139
Uchechukwu
Nwaka
Fanon and Soyinka on Traditional African
Ecoharmony,
Colonial Greed, and the Mystic Functionality
of Water 152
Mingle
Moore, Jr.
The Turning Part 162
Virgília Ferrão
Laundry 167
Regina M. Hansen
le mot,
la mort 175
Albert Uriah
Turner, Jr.
Stalwart 179
MultiMind
Finding Water to Fish with Friends
and Family: Daybreak 198
James H. Ford, Jr.
Water Is Life, Water Is Death,
There Is No Truth or Joy
Without Water 205
Mary A. Turzillo
Love, Temptation and the Downfall
of a Water Rig in Kai
Ashante Wilson’s “The Devil
in America” 221
Desireé Y. Amboree
The Weird Sisters of Onapatu Bog 231
Ceschino
Water for Tears 254
Lakunle Whesu
A Dry Death 263
Vuyokazi Ngemntu
Biographies 264
[Preface]
THE CREATIVE AND SCHOLARLY
CONTRIBUTIONS in this anthology immerse the reader in water awareness. Authors
have contributed their thoughts and dreams about water: its availability and
scarcity, its precariousness and its resilience, its generous ability to heal
and its fragile inability to wash away inhumanity or greed. Immersion in this
anthology inspires each of us to see ourselves, both individually in our
aloneness and collectively as a water activist community, as the solutions we
can be to solve the multiplicity of problems stemming from clean water
scarcity, worldwide.
From the
time that Joshua Keghnen Ichor and Oghenechovwe
Donald Ekpeki approached the Editors-in-Chief of the Journal of the Fantastic in the Arts with a proposal for an
anthology project to raise awareness and funds for water safety engineering
throughout vulnerable communities in Nigeria and the African Continent, months
were spent exploring potential charitable hosts for this innovative enterprise.
But, as short stories, memoirs, essays, and poetry were donated to this
anthology project, and while the fame of and interest in the GeoTek Monitor is widespread and growing, our fundraising
goals were generally considered too small-scale for the hosting we pursued. We
took the time to get expert and legal advice on how best to direct funds raised
to provide communities with water while maintaining transparency. That did take
more time than we initially expected, but we felt it was important not to risk
legal missteps or misperceptions in the handling of charitable funds, if they
could be foreseen and avoided.
While the
Journal of the Fantastic in the Arts is sponsoring this collection’s
publication, Yemoja’s Tears is not subject to the standard reprint
obligations of the Journal. All
donated writings will be made available in perpetuity in Yemoja’s Tears in print, electronic, and audio format, as they
become available. Rights to the contents donated to the anthology revert to
their author six months after publication in Yemoja’s Tears. Sales of the anthology will continue to fund
researched charitable clean water projects as long as
the anthology is available through the publisher.
Thank you
to all these talented writers for your contributions to Yemoja’s Tears, and thank you to those who purchase it for
spreading hope and, with it, the opportunity to heal and thrive, with clean
water.
--Novella
Brooks de Vita, Acquisitions Editor-in-Chief, Journal of the Fantastic in the Arts
When
Novella asked me if I would consider taking part in this project, I never could
have dreamed what I was signing on for. Some of my fondest memories of the
summer of 2024 involve sitting in my mother’s backyard with my laptop,
sometimes so riveted by what I was reading that I forgot to edit, and had to go
back and start over.
This anthology includes, among other
things, informative factual pieces, breathtaking snapshots of other worlds,
breathtaking snapshots of this world,
keen analysis, stirring poetry, gritty space opera, haunting mystery, chilling
futures, histories both idyllic and enraging,
and incisive political commentary. It is, by turns, hopeful, fearful,
elegiac, otherworldly, quite rightly furious, moving, and galvanizing.
It has been a magnificent honour to be part of the process of getting Yemoja’s
Tears ready for publication, and I hope you enjoy it as
much as I have. Authors—thank you for writing. Readers—thank you for reading!
--Cat Ashton, Production Editor-in-Chief, Journal
of the Fantastic in the Arts